Video and Films

Homeless Shanghai, 8 x 60 min., video, production: mock-up, Berlin, 2011.
Homeless Berlin, 8 x 60 min., video, production: mock-up, Berlin, 2005.
Homeless Belgrade, 8 x 60 min., video, production: CZKD, Belgrade, 2003.
Aftershave, 10 min., video, production: mock-up, Berlin, 2000.
5. Mai 1999, 1 min., video, production: mock-up, Berlin, 1999.
Radomir, 60 min., video, production: mock-up, Berlin, 1999.
make-up-no-war, 1 min., video, production: mock-up, Berlin, 1998.
Autoportrait with Knife (Roman Principles), 10 min., video, production: mock-up, Berlin, 1996.
Perfect Soldier, 5 min., video, independent production, Berlin, 1992.
Sun Mountain, 8 x 60 min., video, independent production, West Berlin, 1988.
Illuminates Inka, 20 min., film super 8, independent production, West Berlin, 1987.
Laboratorium (with Sissel Tolaas), 20 min., film super 8, independent production, West Berlin, 1987.
Zwischen Feuer und Wasser, 2 x 60 min., video, independent production, West Berlin, 1987.
Victoria, 5 min., video, production: TV Galerija, TV Belgrade, Belgrade, 1985.
Sveti ratnik / Sacred Warrior (with Victoria Vesna Bulajic), 8.40 min., video, production: TV Galerija, TV Belgrade, Belgrade, 1984.
Velika invokacija / Great Invocation (with Victoria Vesna Bulajic), 21 min., video, independent production, Belgrade, 1983-1984.

Monographs and Catalogues

Milovan DeStil Markovic, monograph, Cacak, Rosenheim: Galerija "Nadezda Petrovic", Kunstverein Rosenheim, 2008. Text: Benedikt Stegmayer, Boris Buden, Jesa Denegri, Jovan Despotovic.
Markovic: Transfigurative Works, monograph, Nurnberg: Verlag fuer Moderne Kunst, 2006. Text: Boris Buden, Bojana Pejic, Claudia Wahjudi, Yoshiko Honda.
Markovic: Transfigurative Painting, Berlin: Galerie A. von Scholz, 1996.
Markovic: Prototipovi / Prototypes, Belgrade: Galerija Zvono, 1996. Text: Miroljub Marjanovic.
Milovan De Stil Markovic, Prijepolje: Dom revolucije, 1991.
Milovan Markovic, Sissel Tolaas, Laboratorium - The Key of Creation, book, Berlin: Deutscher Akademischer Austauschdienst (DAAD), 1988.
Destil Markovic, Vlasta Mikic, Novi Sad: Galerija kulturnog centra, 1985. Text: Jesa Denegri.
De Stil Markovic: Euharistija, Belgrade: Muzej savremene umetnosti, 1985. Text: Bojana Pejic.
De Stil Markovic: Crni prostor / Black Space, Belgrade: Studentski kulturni centar, 1983. Text: Bojana Pejic.
De Stil Markovic: Fragmenti slike: spomenik, Belgrade: Studentski kulturni centar, 1982. Text: Bojana Pejic.

Catelogues of Group Exhibitions (selected)

Kunst Sammlung Krohne, Duisburg: Krohne Messtechnik GmbH, 2010.
49. Oktobarski salon: Umetnik gradjanin / Umetnica gradjanka, Belgrade: Kulturni centar Beograda, 2008. Text: Bojana Pejic.
Likovni umetnici Cacka, Cacak: Galerija "Nadezda Petrovic", 2008. Text: Dragana Bozovic.
XII Prolecni anale, Cacak: Likovni salon Doma kulture Cacak, 2008. Text: Julka Marinkovic.
Otkup umetnickih dela u 2007 godini, Belgrade: Sekretarijat za kulturu, 2008.
Foerderkohle: Stpendiaten/innen der Kulturverwaltung des Berliner Senats 2007, Berlin: Neuer Berliner Kunstverein (NBK), 2007. Text: Katja Albers.
Prepoznavanje / Recognition, Krusevac, Kraljevo, Cacak, Nis: Nartodni muzej, Narodni muzej, Galerija "Nadezda Petrovic", Galerija savremene likovne umetnosti, 2006. Text: Julka Marinkovic.
Trzisni plasman "Nove Slike" 80-tih, Belgrade: Prodajna galerija "Beograd", 2006. Text: Lidija Merenik.
Biblioteka: otvorena knjiga Balkana, Cacak: Centar za vizuelna istrazivanja "Krug", 2006.
Love It or Leave It: 5. Cetinjsko bijenale / Cetinje Biennial V, Cetinje: National Museum of Montenegro / Kassel: Kunsthalle Fridericianum, 2004. Text: Milovan Markovic.

Old Now: Kriticari su izabrali 2004, Belgrade: Kulturni centar, 2004. Text: Jovan Despotovic, “Old Now: ili profesori FLU – plasticari / Old Now: or Professors at the Faculty of Fine Arts – Sculptors”.
And / Ve: Meeting of the Artists / sanatcılar bulusuyor, Istanbul: Istanbul Art Museum Foundation, 2003. Text: Suzana Milevska.
Attitude 2002: One Truth in Your Heart, Kumamoto: Contemporary Art Museum, 2002. Texts: Milovan Markovic, “Transfiguratives”; Yoshiko Honda, “Handed-down Portrait”.
Zum in zum aut: 43. Oktobarski Salon / Zoom In Zoom Out: 43rd October Salon, Belgrade: Kulturni centar, 2002.
After the Wall: Kunst und Kultur im postkommunistischen Europa, exh. guide, Berlin: Stiftung “Brandenburger Tor” der Bankgesellschaft Berlin und Staatliche Museen zu Berlin – Preussischer Kulturbesitz, 2000. Text: Bojana Pejic, “Milovan Markovic”.
After the Wall: Art and Culture in Post-Communist Europe, Stockholm: Moderna Museet, 1999. Text: Angelika Stepken.
Entgegen: ReligionGedaechtnisKoerper in Gegenwartskunst, Graz: Kulturhaus / Ostfildern-Ruit: Cantz, 1997. Texts: Manfred Richter, “Zum Streit um das Bild aus heutiger oekumenischer Sicht”; Alexandra v. Scholz, “Milovan Markovic”.
19. Memorijal Nadezde Petrovic, Cacak: Umetnicka galerija Nadezda Petrovic, 1996. Text: Bojana Pejic, “Andjeo, telo, zazorno” / “Angel, Body, Abject”.

Orient/ation: 4th International Istanbul Biennial, Istanbul: Istanbul Foundation for Culture and Arts, 1995. Text: Milovan Markovic, “Collective Portrait”.
Junge Kunst, Saarbrücken: Saar Ferngas AG, 1992.
Berlin 37 Raume, Berlin: Kunst-Werke, 1992.
Farbe Gold: Dekor – Metapher – Symbol, Beweggruende fuer Malerei heute, Berlin: Haus am Luetzowplatz ed.: Kuenstlerhaus, Berlin: Nicolai, 1992. Text: Bojana Pejic, “Die goldene Dimension”.
La poetica materiale: L’opera come spirito del luogo, Brescia: Edizioni Nuovi Strumenti,1990. Text: Martina Corgnati.
Jugoslovenska dokumenta ‘89, Sarajevo: Olimpijski centar Skenderija, 1989.
Mediterraneo per l’Arte Contemporanea, Bari: Fiera del Levante Expo Arte, 1989. Text: Biljana Tomic.
Synnyt: Nykytaiteen lähteitä / Sources of Contemporary Art, Helsinki: Nykytaiteen Museo, 1989.
Junge Kunst aus Jugoslawien / Mlada jugoslavenska umjetnost: Steirischer Herbst ’86, Zagreb: Galerije grada Zagreba, 1986. Text: Lidija Merenik, “Belgrad: Die Achtziger Jahre” / “Beograd: osamdesete godine”.
XLII Esposizione Internazionale d’Arte, La Biennale di Venezia: Arte e Scienzia, Venice: Electa, 1986.
Sixth Triennale India 1986, New Delhi: Lalit Kala Akademi, Rabindra Bhavan, 1986.

Zugehend auf eine Biennale des Friedens – Dem Frieden eine Form geben, Hamburg: Kulturbehoerde Hamburg und das Kuratorium der Art-of-Peace-Biennale, 1985.
Postizmi: Beogradska scena, Koprivnica: Galerija Koprivnica, Varazdin: Galerija Slika, 1985. Texts: Bojana Pejic, “Postizmi”; “Milovan De Stil Markovic” (interview).
XIX. Internationale Malerwochen in der Steiermark, Graz: Neue Galerie, 1984.
Viaggio, ed. by Antonio d’Avossa, Rome: Nuova Galleria Internazionale, 1984.
Kriticari su izabrali, Belgrade: Kulturni centar, 1983. Text: Jovan Despotovic, “Mrdjan Bajic, Tahir Lusic, De Stil Markovic”.
Beograd – Wien / Bec – Belgrad, Belgrade: Studentski kulturni centar, 1983. Text: Biljana Tomic.
Umetnost osamdesetih, exh. cat., Belgrade: Muzej savremene umetnosti, 1983. Texts: Jesa Denegri, Jadranka Vinterhalter, Jovan Despotovic, “Posle osamdesete: umetnost u znaku raznolikosti”.
New Now, Zemun: Galerija Pinki, 1982.
Mladi 80, Belgrade: Muzej savremene umetnosti, 1980. Text: Milovan Markovic.

Critical and academic studies

Jovan Despotovic, Nova slika, Belgrade: Clio, book, 2006.
Art Gamadas, vol. 2, Kumamoto: Contemporary Art Museum, CAMK Press, 2002/2003.
Jesa Denegri, Osamdesete: Teme srpske umetnosti 1980-1990, Novi Sad: Svetovi, book, 1997. Texts: Jesa Denegri, “Milovan De Stil Markovic”; “Zestoki”.
The Artists’ Museum international provisional artists‘ community Lodz, Lodz: The Artists’ Museum, n.d. 1996.
Lidija Merenik, Beograd: osamdesete – Nove pojave u slikarstvu i skulpturi 1979-1989 u Srbiji, Novi Sad: Prometej, book, 1995. Text: Lidija Merenik, “Novi talas: Beograd ranih osamdesetih godina”.
Monika Minnhagen-Alvsten and Marika Wachtmeister (eds.), Wanas – konsten, parken, slottet, Kristianstad: Lansmuseet i Kristianstad, book, 1994. Text: Marika Wachtmeister, “Myt, rit och angest, 1991” / “Myth, Rite, and Anxiety, 1991”.
Stefanie Endlich and Rainer Höynck (Eds.), Blickwechsel: 25 Jahre DAAD, Berlin: Argon Verlag, DAAD, book, 1988. Ill.: "Laboratorium I".

Articles and Reviews (selected)

Nakahara Sayoko, “Milovan Markovic 'Prototype Tokyo',” Relax (Tokyo), no. 103, September 2005.
Ozaki Tetsuya, “Milovan Markovic 'Prototype Tokyo',” Art it (Tokyo), vol. 3, no. 3, summer/fall, 2005.
Robert Reed, “Milovan Markovic’s 'Prototype' artworks,” The Daily Yomiuari (Tokyo), edition A, August 18, 2005.
Claudia Wahjudi, “Die Unsichtbaren,” u_Spot (Berlin), no. 4, 2004.
Dj. M. [Srdjan Djidja Markovic], “Karmin za zene, za muskarce brijanje,” Glas (Belgrade), November 18, 2003.
Ljubica Jelisavac, “Prica o baskucnicima, prica o nama” (interview), Blic (Belgrade), November 7, 2003.
M. Jovanovic, “‘Nevidljivi narod’ od Berlina do Johanesburga,” Danas (Belgrade), November 6, 2003.
Ljiljana Tadic, “De Stil Markovic – Zestoki” (interview), Lice (Belgrade), no. 31, 2003.
Sumie Kawai, “Berlin,” Pen (Tokyo), no. 106, 2003.
J. Br. [Jacques Brunel], “Miroirs rouge,” Le Monde (Paris), September 20, 2001.
Claudia Wahjudi, “After the Wall,” Kunstforum International (Ruppichteroth), January - March, 2001.
Angelika Stepken, “Make-up-Bilder: Milovan Markovics Portraits beruehmter Frauen,” Neue Bildende Kunst (Berlin), February/March, 1997.

Martin Conrads, “Hillary Clintons Kleid – Die Frau als Projektionsflaeche im Goldrahmen: Lippenstift-Bilder von Milovan Markovic in der Galerie A. von Scholz,” Zitty (Berlin), 1996.
Gordana Vasiljevic, “Staza prosvetljenja,” Nova Borba (Belgrade), June 26, 1996.
Jovan Despotovic, “Ruka koja salutira,” Vreme (Belgrade), June 22, 1996.
Mirjana Djordjevic, “Staza prosvetljenja – susreti sa stvaraocima: Milovan De Stil Markovic” (interview), Politika (Belgrade), June 9, 1996.
Miroljub Marjanovic, “Preispitivanje profanog lika” (interview), Vreme (Belgrade), June 8, 1996.
Savo Popovic, “Ikona je, zapravo, alfabet,” Nedeljna Borba (Belgrade), June 1-2, 1996.
Antoine Perraud, “L’épuration artistique,” Télérama (Paris), June 7, 1995.
Harald Fricke, “Manchmal lichtet sich dennoch der Blick ...,” die tageszeitung (Berlin), March 6, 1993.
Ingela Lind, “Rod fulltraff I bokskogen – Dragning at metafysik och melankoli i Wanas,” Dagens Nyheter (Stockholm), May 31, 1991.
Angelika Stepken, “Construction in Process back in Lodz,” Kunstforum International (Ruppichteroth), no. 111, January/February, 1991.
M. Stojanovic, “Milovan Markovc u Brilu,” Politika (Belgrade), September 6, 1989.
Dragan Jovanovic Danilov, “Velika invokacija Milovana De Stila Markovica,” Medjaj (Uzice), 1988.
Tuvid Larsen, “Kunst som surrer,” Arbeiderbladet (Oslo), March 5, 1988.
Finn Jor, “Kunst pa femti skermer,” Aftenposten (Oslo), March 5, 1988.

Ingrid Blekastad, “Liv, dod, skaping,” Bergens Tidende (Bergen), June, 6, 1987.
Angelika Stepken, “Sissel Tolaas und Milovan Markovic,” Kunstforum International (Cologne), May/June, 1987.
Harald Flor, “Fra Berlin til Bergen,” Dagbladet (Oslo), May, 1987.
Wiglaf Droste, “Der grosse Wurf,” die tageszeitung (Berlin), March 24, 1987.
ac [Andreas Conrad], “Der ‘Schluessel der Schoepfung’ in einem Kreuzberger Keller,” Der Tagesspiegel (Berlin), March 22, 1987.
Biljana Tomic, “Aperto 86,” Moment (Belgrade), no. 6/7, September/December, 1986.
Mirjana Zivkovic, “Staza prosvetljenja: susreti sa stvaraocima: Milovan De Stil Markovic” (interview), Politika (Belgrade), June 9, 1986.
Jovan Despotovic, “Euharistija: De Stil Markovic,” Moment (Belgrade), no. 5, April/June, 1986.
S. [Slavko] Timotijevic, “De Stil Markovic – komad koji ganja umetnost po svetu,” Knjizevne novine (Belgrade), January 1986.
Milan Damnjanovic, “Nagrada ‘Vladislav Ribnikar’: bez provincije,” NIN (Belgrade), January 26, 1986.
Mirjana Zivkovic, “Posvecenost umetnosti,” Politika (Belgrade), January 17, 1986.
M. [Mirjana] Zivkovic, “Odluka zirija ‘Politike’ za nagradu iz fonda Vladislav Ribnikar: Dobitnik Milovan De Stil Markovic,” Politika (Belgrade), January 17, 1986.
Bojana Pejic, “De Stil Markovic: covek kreativnog doba” (interview), Moment, Belgrade, no. 3-4, November 1985 / March, 1986.

Angelika Stepken, “Allchemie und Astrologie auf Leinwand,” Zitty (Berlin), no. 19, 1985.
Kosta Vasiljkovic, “Zestina utopijske refleksije,” Komunist (Belgrade), February 1, 1985.
Darka Radosavljevic, “Varijacije na euharistiju,” Student (Belgrade), no. 1-2, January 16, 1985.
Aleksandar Djuric, “Reinkarnacija stila,” Politika (Belgrade), January 14, 1985.
Sanja Kesic, Miroljub Marjanovic, “Razgovori sa umetnicima: Slava nije teznja, ona je samo posledica!,” 3+4 casopis studenata istorije umetnosti, Belgrade, 1984.
Zoran Markus, “Hoce da nece,” Nedeljna Borba (Belgrade), January 21-22, 1984.
Mirjana Zivkovic, “Vreme ‘Zestokih’,” Politika (Belgrade), December 31, 1983 / January 1-2, 1984.
Gvido Pretnja [Slavko Timotievic], “Oktobarski salon: Najzad mladi,” Omladinske novine (Belgrade), November 6, 1983.
Z. [Zeljko] Kipke, “Fragmenti slike: spomenik,” Studentski list (Zagreb), October 26, 1983.
Jesa Denegri, “Fine postcards Belgrado,” Juliet Art Magazine (Triest), no. 11, April/May 1983.
Jovan Despotovic, “‘Zestoki’ stil De Stila,” Mladost (Belgrade), April 30, 1983.
Bojana Pejic, “Vremena ikonodula,” Polja (Novi Sad), no. 289, March, 1983.

De Stil Markovic, “Ritual megalomanskih formi,” Zum Reporter (Belgrade), November 25 - December 2, 1982.
Jovan Despotovic, “Zestoki potezi bojom,” Knjizevne novine (Belgrade), November 9, 1982.
De Stil Markovic, “Water Sex u SKC-u,” Zum Reporter (Belgrade), September 30 - October 7, 1982.
De Stil Markovic, “Dok ceo grad spava,” Zum Reporter (Belgrade), March 18-25, 1982.
Bojana Pejic, “Prvih deset godina: Galerija SKC,” Dometi (Rijeka), May, 1981.
Jesa Denegri, “Beograd: dvije priredbe mladih umjetnika,” Oko (Zagreb), October 20 - November 13, 1980.